Kathleen Griffin’s Butterflies of Memory

Favorites / Just Because / News

 

When my friend Mary* told me about her sister’s latest sculpture project I couldn’t believe my ears.  Giant golden butterflies flying away with an abandoned hospital? On an Island?!  It sounds like it’s straight out of a fairytale, creepy and imaginative mixed with a pinch of Roald Dahl.  I’ve always enjoyed hearing about Kathleen Griffin‘s art which is often about candy, horses, butterflies and grasshoppers. There is something fantastical and childlike about her work. It amazes me that someone from our small town has figured out to way to actually do things! Often I find that sculpture is beyond my brain power. I can understand a piece of paper and putting something on it, but how does she make these things become real, 3D objects? How is she going to make enormous gold leaf butterflies that will appear to fly away with the Smallpox Hospital on Roosevelt Island? This project is a massive undertaking, already three years in the making. It requires science, teams of people, a decrepit hospital, an island, people doing yoga (Mary is offering Bikrim yoga classes at the site to help raise money), the City of New York,  and most importantly, the creative mind and gumption of Kathleen Griffin. I absolutely cannot wait to see this thing happen. Please check it out here: Read More

Behind the Scenes: Where’s Walrus?

Featured Books / Interviews / Process
Where's Walrus? cover

Where’s Walrus? cover

Last week we interviewed children’s book illustrator, Stephen Savage. Stephen sent me so many great images I couldn’t fit it all into one post!

Today, Stephen talks to us about his award-winning, wordless picture book Where’s Walrus? and takes us through his process, from the very first sketch to the final color comps for the cover. Stephen’s style is fresh, spare, and seems effortless, so it’s fascinating to see the amount of work and planning that goes into his finished pieces.

“The book was a long haul. I worked on it off and on for seven years. It ALMOST didn’t happen,” Stephen says. “Our creative objective—’make an exciting and funny wordless picture book about a walrus who is mistaken for a person’—seemed unattainable after years of drafts and sketches.” In fact, Stephen was almost ready to throw in the towel after a few years. But he persevered and we are glad he did!

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Interior spreads from Where’s Walrus? The wordless book is about a walrus that escapes from the zoo and eludes his zookeeper.

Don’t Frighten the Lion!, by Margaret Wise Brown and illustrated by H. A. Rey, was an early inspiration for Where’s Walrus? In this book, a dog dresses up as a child to get into the zoo.”

"This art school drawing was the real seed for the book."

“This art school drawing was the real seed for the book…”

 

"It had been inspired by a trip to the Coney Island Aquarium. I kept thinking during my visit how much Walruses looked like old guys from Brooklyn."

“…It had been inspired by a trip to the Coney Island Aquarium. I kept thinking during my visit how much walruses looked like old guys from Brooklyn.”

"Walrus has a little Babar and Buster in him."

“Walrus has a little Babar and Buster in him.”

"Where's Walrus? grew out of hundreds and hundreds of doodles in sketchbooks done over a 3 year period."

Where’s Walrus? grew out of hundreds and hundreds of doodles in sketchbooks done over a 3 year period.” (Click to enlarge.)

"Lots of trial and effort goes into making the work look effortless and spontaneous."

“Lots of trial and effort goes into making the work look effortless and spontaneous.” (Click to enlarge.)

"Early drafts of Where's Walrus? had words in them."

“Early drafts of Where’s Walrus? had words in them.”

"Where's Walrus? is one long chase scene, told in sweeping diagonals."

“Where’s Walrus? is one long chase scene, told in sweeping diagonals.” [ed note: so freakin’ cool!]

"Another famous chase scene!"

“Another famous chase scene!”

Read More

A Pen & Oink interview with Rebecca Emberley, in which she discusses birds and spiders

Indie Picture Books That Are Awesome / Interviews

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Spreads from The Itsy Bitsy Spider, by Rebecca and Ed Emberley, forthcoming from Two Little Birds. All images courtesy Rebecca Emberley.

I love to champion great independent picture books. If only there were more of them! I was, therefore, delighted to see Rebecca Emberley‘s Kickstarter campaign. She’s starting a small press called Two Little Birds; their first title will be The Itsy Bitsy Spider, a book/ebook/music extravaganza.

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Tula.

THE DIRT ON: Rebecca Emberley

Hometown: Ipswich, Massachusetts; have lived lots of other places.
Now lives in: Kittery, Maine.
Tools of the trade: Paper, scissors and Freehand MX.
Artistic influences: Jackson Pollock, Matisse, Charley Harper, too many to list.
Caffeine of choice: Non-caffeinated…
Favorite children’s book: Little Blue and Little Yellow by Leo Lionni.
Favorite thing to read: Everything, I am a voracious reader.
YouTube video you can’t stop watching: Landfill Harmonic.
Dog or Cat: Cats, Tula and Oscar Wilde. Tula will only drink water from a fat stemmed martini glass.

You’ve just founded an independent children’s press called Two Little Birds. Tell us about how you got started.

I met my publishing partner, Deirdre Randall, at a songwriters festival where she was performing on the same bill as my daughter. We spoke briefly. Deirdre had purchased her father’s subsidy press a couple of years earlier, and three months later she called me about a freelance illustration job. During meetings for that book, we began talking about the changing face of children’s publishing. She was looking to expand her children’s picture book catalog and the next thing you know we started a company!

Two Little Birds is a “hybrid children’s book imprint.” What does that mean?

We are a hybrid of trade and subsidy, in which both the author/illustrator and the publisher are financially and physically invested in the books we publish. The author owns the books and all the rights. The profits are divided between the two.

Two Little Birds also has a charitable aspect. For every book we sell we will give a book to a child in need. I was inspired by my friend Jennifer Frances, who runs Bess the Book Bus. Working with her, I saw that kids love books and the thrill of owning one inspires them to keep reading.

rebecca-emberley-itsy-bitsy-spider-front-coverDo you plan to partner with her to distribute books?

Jennifer will be our giving partner, at least in the beginning. I will probably do some events with her. If we outgrow what she can handle we’ll work with Reach out and Read and First Book. We are also developing a line of early learning books for her as 5,000 copies of one title may not be the best use of books for her kids.

Last summer I read Blake Mycoskie’s Start Something That Matters. He encourages the idea that you don’t have to be a non-profit to do good things. He preaches keeping your overhead low and thinking in terms of reasonable profit. When looking at the figures from the printing of Itsy Btsy Spider [Two Little Birds’ first book], I saw that it would be possible to give books away and still make a profit if we kept overhead low. So of course I had to do it…

Let’s gaze into the misty future. What’s your vision for Two Little Birds? What will it look like ten years from now?

Happy, healthy little publishing imprint, supporting us by creating high quality creative picture and activity books, one at a time. And busily providing lots more books for kids whrebecca-emberley-pull-quoteo want them but may not have access to them. Hopefully inspiring other people to take a leap and making it easier for people to give back while doing ordinary things.

How has this venture has differed from your experience with traditional publishing?

I have a lot more freedom, and with freedom comes responsibility. Two Little Birds will allow me to create books that might not have a mainstream trade book market appeal, but may be a niche or gift market book. Trade publishers have huge overhead, therefore have to try to attain huge numbers. We won’t have that pressure. I’ll be able to work hands on with some great people who have already started bringing their book ideas to me. We will also be publishing some backlist Ed Emberley books from the 60’s and 70’s. That’s fun for us!

It is a challenge to be taken seriously. That’s why I chose to pre-sell Itsy Bitsy Spider on Kickstarter,  to help prove the business model.

I should add that I won’t stop publishing with the trade and that I love all my editors and publishers. Neal Porter is the editor on our newest book with Roaring Brook Press, Crocodile and Scorpion (2013).

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A spread from Crocodile and Scorpion.

Well, it will be a paper book (actually a heavy-duty paper book for little hands) and since I have had the pleasure of working with an amazing children’s app developer, Night & Day Studios (who did Go Away Big Green Monster for Ed), I asked and they agreed to do the interactive e-book as well. We will release the two forms on the same day. There is also a song that you can download. That’s my husband you hear singing on the Kickstarter video.

What’s your collaboration with Night & Day been like?

Night & Day is great to work with. They care about quality kid’s content and have moved very quickly through the ever changing world of kids apps. We will work together to create the Itty Bitty Spider e-book–they license it and pay me a royalty.

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Cutouts.

Until Spider they have chosen the projects; we have lots of input and they cross promote with us which is great. I begged them to do Itty Bitty Spider. It was short notice, but my files work well for adaptation. They bought the song from us as well which was cool…that’s my daughter Adrian singing as well as writing it.

We love talking about creative process here at Pen & Oink. How did you make the illustrations for Itsy Bitsy Spider?

I cut and tear shapes out of brown kraft paper. I never draw anything. Then they get pasted onto sheets of paper and scanned into the computer. I color them on screen and begin to assemble characters. Sometimes it’s a complete surprise when they emerge; sometimes they look just like I saw them in my head.

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An assembled frog king.

I still use Freehand MX and they’ll have to pry that program out of my cold dead hands. I have begun the process of collecting older Macs so I can keep an older OS on hand to operate FH until some geek genius re-creates it…

Sometimes I work with my father, Ed Emberley. We worked together on Itsy Bitsy Spider. Sometimes you can find us wrestling over the mouse laying out pages. Collaboration has proved stimulating for both of us.

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Rebecca and Ed Emberley in the studio.

Who creates the songs for your books? That has been a really fun aspect of these last few years. My  daughter Adrian Emberley is a singer-songwriter and she does most of them so far, but my husband Peter Black and I have collaborated on a few and that’s a blast! We are all working on a musical, Beasties on Broadway, of one of my other books, Ten Little Beasties.

AND FINALLY:

You’re part of a superhero clan, Team Emberley, whose mission is to bring great stories and songs to children everywhere! What’s your superhero name and special superpower?

ScissorGirl, snipping her way in the the hearts and minds of children of all ages!

Thanks, Rebecca! We look forward to Two Little Birds’ future offerings. Readers, be sure to check out the Kickstarter page for Two Little Birds! Their fundraising campaign runs until the end of the month.

A Pen & Oink Guest Post Starring Melissa Guion

Guest Post / Process

A guest post? Is Pen & Oink getting lazy? No, we are just excited to share with you first time author/illustrator Melissa Guion. She and I had a very Brooklyn meet up. We drank intriguing sodas, sitting on stools in a chilly window looking out onto Flatbush Avenue. She made me laugh a lot! We compared stories of having Sergio Ruzzier as an illustration teacher; she tried to convince me about chiffonading (?) kale and eating it raw; and most importantly I got to check out her adorable new book Baby Penguins Everywhere!

Hands together now…please welcome our very first Guest Poster: Melissa Guion! Read More

A Pen & Oink Interview with Stephen Savage, in which he talks color scripts and courting Neal Porter

Interviews / Process

 

Today we’ve got an awesome interview with my neighbor and friend, Stephen Savage. He has a great new book out called Little Tug, and Polar Bear Morning, his sequel to the award-winning Polar Bear Night with author Lauren Thompson, comes out in January. You may also know Where’s Walrus?, a beautiful, wordless picture book about a walrus who escapes from the zoo. Stephen’s work is bold and graphic and he’s generously given us some insight into his process.

Read More

A Pen & Oink Interview with Sergio Ruzzier

Foreign Exchange / Interviews

Above: a snowy spread from Bear and Bee written and illustrated by Sergio Ruzzier

Esteemed author and illustrator Sergio Ruzzier magically and unknowingly brought Robin, Liz and I together! We are honored (and tickled pink!) to mark our launch with this interview! Read More

and the winner is….

News

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Thanks to all who commented with their favorite books. You are all pigtastic!

We are delighted to announce that Cindy won our random drawing for the pigture book contest!

Cindy, please write us at penandoink@gmail.com with your mailing address. A great book will be on its way to you!

(If we don’t hear from our winner by 9:00am Friday, 12/14, Piggy will have to do another drawing!)